{"id":9130,"date":"2026-06-23T21:06:02","date_gmt":"2026-06-23T21:06:02","guid":{"rendered":"https:\/\/festival262.com\/?page_id=9130"},"modified":"2026-06-23T22:59:16","modified_gmt":"2026-06-23T22:59:16","slug":"antonio-pedrosa-seaqual-initiative-exhibition","status":"publish","type":"page","link":"https:\/\/festival262.com\/pt\/exhibitions-2026-f-262\/antonio-pedrosa-seaqual-initiative-exhibition\/","title":{"rendered":"Antonio Pedrosa – Seaqual Initiative Exhibition"},"content":{"rendered":"
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Ant\u00f3nio Pedrosa <\/span> <\/span><\/h2>\t\t\t\t\t
INICIATIVA SEQUAL<\/strong> EXPOSI\u00c7\u00c3O\u00a0<\/h6><\/span>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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PETRICHOR<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ant\u00f3nio Pedrosa\u00a0<\/h5>

27 de junho a 20 de setembro de 2026<\/strong><\/p>

Ant\u00f3nio Pedrosa is a Portuguese photographer and curator whose practice has developed over
nearly three decades, with projects mainly in documentary photography, exploring themes of
social inequality and the relationship to territory.
In parallel with his documentary practice, Pedrosa\u2019s work has been published in both national and
International magazines and newspapers.
In 2012, he was awarded the Esta\u00e7\u00e3o Imagem Photojournalism Prize for his project \u201cIraqis\u201d. He
was nominated for the Hasselblad Masters Award in 2013 and went on to win the award in 2014
in the Editorial category, marking a significant milestone in his international recognition.
Based in Porto, Pedrosa continues to maintain an active practice in documentary photography. In
2014, he founded COLECTIVO, a platform devoted to experimentation and critical reflection
within documentary practice. His work has been recognized by institutions and platforms such as
Esta\u00e7\u00e3o Imagem, PDN, VSCO Artist Initiative, among others.
His work is represented by Lumina Galeria in Lisbon and Masterpiece Edition in Germany.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Exposi\u00e7\u00e3o:<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Localiza\u00e7\u00e3o:<\/strong>\u00a0 Foz do Arelho
Datas:<\/strong> 27 de junho a 20 de setembro de 2026
Fotografia:<\/strong> Ant\u00f3nio Pedrosa\u00a0
Curador:<\/strong> Jo\u00e3o Carlos
Programa:<\/strong> 200 Anos de Celebra\u00e7\u00f5es de Fotografia | F\/262 Festival Internacional de Fotografia<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Petrichor_AntonioPedrosa_08\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Descri\u00e7\u00e3o \u00e1udio<\/strong><\/p>\n\n

Portugu\u00eas<\/strong><\/p>\n\n

\nA imagem apresenta uma fotografia a cores, de tons suaves, mostrando um falc\u00e3o em grande plano sobre um fundo claro e desfocado.\n<\/p>\n\n

\nA ave ocupa quase toda a composi\u00e7\u00e3o e encontra-se voltada ligeiramente para a direita, com a cabe\u00e7a inclinada para baixo numa postura tranquila e contemplativa. A plumagem \u00e9 predominantemente branca e creme, marcada por numerosas manchas e riscas castanho-escuras distribu\u00eddas pelo peito e pelas asas. As penas revelam uma textura delicada e densa, evidenciada pela luz suave da fotografia.\n<\/p>\n\n

\nSobre a cabe\u00e7a do falc\u00e3o encontra-se um capuz tradicional de falcoaria. O capuz, feito em couro castanho-escuro, ajusta-se \u00e0 cabe\u00e7a da ave e cobre-lhe os olhos. No topo ergue-se um pequeno elemento decorativo em couro, rematado por uma tira curva que se eleva como uma pequena crista. Algumas correias pendem livremente ao lado.\n<\/p>\n\n

\nApesar de os olhos estarem cobertos, \u00e9 vis\u00edvel parte do bico curvo e cinzento que emerge sob a extremidade do capuz. O corpo do falc\u00e3o transmite simultaneamente for\u00e7a e serenidade, sugerindo disciplina, paci\u00eancia e controlo.\n<\/p>\n\n

\nA reduzida profundidade de campo separa a ave do fundo, concentrando a aten\u00e7\u00e3o nos detalhes das penas, no trabalho artesanal do couro e na longa tradi\u00e7\u00e3o da rela\u00e7\u00e3o entre o ser humano e as aves de rapina. A atmosfera geral \u00e9 calma, \u00edntima e contemplativa.\n<\/p>\n\n

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ingl\u00eas<\/strong><\/p>\n\n

\nThe image is a softly toned colour photograph of a falcon seen in close-up against a pale, out-of-focus background.\n<\/p>\n\n

\nThe bird occupies most of the frame and faces slightly to the right, its head lowered in a calm, contemplative posture. Its plumage is predominantly white and cream, marked with numerous dark brown spots and streaks across the chest and wings. The feathers appear dense and soft, with subtle variations in tone that create a delicate texture.\n<\/p>\n\n

\nPerched on the falcon's head is a traditional leather hood used in falconry. The hood is made of dark brown leather and is fitted closely around the bird's head, covering its eyes. A decorative leather knot and a thin, curved strap rise from the top of the hood, extending upward like a small crest. Additional leather straps hang loosely to one side.\n<\/p>\n\n

\nAlthough the hood conceals the bird's vision, part of its curved grey beak remains visible beneath the leather. The falcon's body appears powerful yet composed, conveying a sense of discipline, patience, and quiet strength.\n<\/p>\n\n

\nThe shallow depth of field isolates the bird from its surroundings, directing full attention to the intricate details of the feathers, leather craftsmanship, and the centuries-old relationship between humans and birds of prey. The overall atmosphere is serene, intimate, and reflective.\n<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/i><\/span><\/i><\/span>\u00c1udio Descri\u00e7\u00e3o ENG<\/span><\/i><\/div>

Descri\u00e7\u00e3o \u00e1udio\u00a0<\/h3>

Esquecido no passado<\/strong>
Martin Krystynek<\/strong><\/p>

A fotografia \u00e9 apresentada a preto e branco e retrata uma cena ao ar livre em um assentamento tempor\u00e1rio.<\/p>

No primeiro plano est\u00e3o duas crian\u00e7as, posicionadas em frente a uma caravana repleta de intemp\u00e9ries. A crian\u00e7a no centro da imagem aparece mais jovem, talvez com oito ou nove anos de idade. Ele est\u00e1 de frente para a c\u00e2mera diretamente, com os bra\u00e7os descansados pelos lados. A sua express\u00e3o \u00e9 s\u00e9ria e subjugada. Ele usa roupas escuras e treinadores enlameados, e seus p\u00e9s est\u00e3o cercados por ch\u00e3o molhado e detritos espalhados.<\/p>

\u00c0 direita est\u00e1 uma crian\u00e7a mais velha, encostada a uma estrutura de madeira \u00e1spera. A crian\u00e7a usa um casaco grande com padr\u00e3o de camuflagem, cal\u00e7as enroladas e sapatos de lona usados. A cabe\u00e7a \u00e9 ligeiramente voltada para a crian\u00e7a mais nova, criando uma liga\u00e7\u00e3o visual entre as duas figuras.<\/p>

Atr\u00e1s deles ergue-se o lado de uma caravana, manchado pela idade e exposi\u00e7\u00e3o. Sua superf\u00edcie p\u00e1lida preenche grande parte do fundo, marcada por sujeira, arranh\u00f5es e sinais de uso a longo prazo. Em torno das bordas do quadro est\u00e3o estruturas improvisadas feitas de madeira, chapas de metal e outros materiais recuperados.<\/p>

O ch\u00e3o \u00e9 irregular, enlameado e coberto de po\u00e7as. Os reflexos brilham na \u00e1gua entre objetos descartados, fragmentos de lixo e vest\u00edgios da vida di\u00e1ria. As texturas da lama, da madeira, do metal e do vestu\u00e1rio usado s\u00e3o processadas com detalhes impressionantes atrav\u00e9s do elevado contraste e dos gr\u00e3os da fotografia.<\/p>

No fundo superior, parcialmente obscurecido por estruturas e dist\u00e2ncia, algumas figuras adicionais podem ser vistas movendo-se atrav\u00e9s do assentamento. As \u00e1rvores erguem-se para al\u00e9m do acampamento, formando uma linha de horizonte mais escura contra o c\u00e9u.<\/p>

A composi\u00e7\u00e3o chama a aten\u00e7\u00e3o para as crian\u00e7as e o seu ambiente. A sua quietude contrasta com a complexidade do ambiente, criando uma forte sensa\u00e7\u00e3o de vulnerabilidade, resili\u00eancia e presen\u00e7a humana.<\/p>

Atrav\u00e9s de sua paleta monocrom\u00e1tica e abordagem documental, a imagem convida \u00e0 reflex\u00e3o sobre a inf\u00e2ncia, a desigualdade social e as vidas que muitas vezes permanecem invis\u00edveis ou ignoradas.<\/p><\/div>\n\t\t\t\t\t<\/div>

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<\/i><\/span><\/i><\/span>\u00c1udio Descri\u00e7\u00e3o \u2013 PT<\/span><\/i><\/div>

Audiodescri\u00e7\u00e3o \u2013\u00a0<\/h3>

Esquecidos no Passado<\/strong>
Martin Krystynek<\/strong><\/p>

A fotografia \u00e9 apresentada a preto e branco e retrata uma cena ao ar livre num assentamento tempor\u00e1rio.<\/p>

Em primeiro plano encontram-se duas crian\u00e7as, posicionadas diante de uma caravana envelhecida. A crian\u00e7a ao centro da imagem aparenta ser mais nova, com cerca de oito ou nove anos. Est\u00e1 voltada diretamente para a c\u00e2mara, com os bra\u00e7os junto ao corpo. A sua express\u00e3o \u00e9 s\u00e9ria e reservada. Veste roupa escura e sapatilhas gastas, rodeada por terreno enlameado e res\u00edduos espalhados pelo ch\u00e3o.<\/p>

\u00c0 direita encontra-se uma crian\u00e7a mais velha, apoiada numa estrutura improvisada de madeira. Usa um casaco largo com padr\u00e3o camuflado, cal\u00e7as arrega\u00e7adas e sapatos de lona j\u00e1 muito usados. A cabe\u00e7a est\u00e1 ligeiramente voltada na dire\u00e7\u00e3o da crian\u00e7a mais nova, cria uma liga\u00e7\u00e3o visual entre ambas as figuras.<\/p>

Por tr\u00e1s delas ergue-se a lateral de uma caravana marcada pelo desgaste do tempo. A superf\u00edcie clara est\u00e1 coberta por manchas, riscos e sinais de utiliza\u00e7\u00e3o prolongada. Nas margens da fotografia observam-se constru\u00e7\u00f5es improvisadas feitas com t\u00e1buas, chapas met\u00e1licas e outros materiais reaproveitados.<\/p>

O solo \u00e9 irregular, h\u00famido e coberto por po\u00e7as de \u00e1gua. Pequenos reflexos surgem \u00e0 superf\u00edcie, entre fragmentos de lixo, objetos abandonados e vest\u00edgios do quotidiano. As texturas da lama, da madeira, do metal e das roupas gastas s\u00e3o reveladas com grande detalhe atrav\u00e9s do forte contraste e da granula\u00e7\u00e3o caracter\u00edstica da imagem.<\/p>

Ao fundo, parcialmente ocultas pelas estruturas e pela dist\u00e2ncia, podem distinguir-se algumas figuras humanas a circular pelo espa\u00e7o. Mais atr\u00e1s, uma linha de \u00e1rvores delimita o horizonte e enquadra a paisagem.<\/p>

A composi\u00e7\u00e3o conduz o olhar para as duas crian\u00e7as e para o ambiente que as rodeia. A sua quietude contrasta com a complexidade do cen\u00e1rio, cria uma sensa\u00e7\u00e3o simult\u00e2nea de vulnerabilidade, resist\u00eancia e presen\u00e7a humana.<\/p>

Atrav\u00e9s da linguagem documental e da utiliza\u00e7\u00e3o do preto e branco, a fotografia convida \u00e0 reflex\u00e3o sobre a inf\u00e2ncia, a desigualdade social e as vidas que muitas vezes permanecem invis\u00edveis ou esquecidas.<\/p><\/div><\/div><\/div><\/div>

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\n \ud83c\udfa7 Audio Description\n <\/h3>\n\n

\n Listen to the audio description of the exhibition poster for Petrichor<\/em> by Ant\u00f3nio Pedrosa.\n <\/p>\n\n

\n \ud83c\udfa7 Audiodescri\u00e7\u00e3o\n <\/h3>\n\n

\n Ou\u00e7a a audiodescri\u00e7\u00e3o do cartaz da exposi\u00e7\u00e3o Petrichor<\/em>, de Ant\u00f3nio Pedrosa.\n <\/p>\n\n

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<\/i><\/span><\/i><\/span>\u00c1udio Descri\u00e7\u00e3o ENG<\/span><\/i><\/div>

Descri\u00e7\u00e3o \u00e1udio \u2013 Cartaz de exposi\u00e7\u00e3o<\/h2>

A imagem mostra o cartaz da exposi\u00e7\u00e3o Petrichor<\/em> by Ant\u00f3nio Pedrosa, presented as part of the F\/262 International Photography Festival and the international celebrations marking 200 years of photography.<\/p>

The poster uses a light grey background with bold black typography and a clean graphic layout. At the top appear the logos of the festival and the bicentennial celebrations of photography.<\/p>

Along the left side, the exhibition title Petrichor<\/em> appears in large vertical black letters. Beside it, also arranged vertically, is the photographer\u2019s name, Ant\u00f3nio Pedrosa.<\/p>

At the centre of the poster is a colour photograph framed by the visible borders of a photographic negative. The image depicts a solitary figure standing in a natural landscape. The person is viewed from behind and wears a white protective suit with a hood covering the head. Their arms are slightly extended to either side, creating a gesture that suggests openness, observation, or encounter.<\/p>

The figure faces a dense wall of vegetation illuminated by warm autumn light. The trees and shrubs are covered with golden-yellow leaves that fill most of the composition. In the foreground, dry grasses occupy the lower portion of the image. The contrast between the bright white suit and the rich golden tones of the foliage immediately draws the eye.<\/p>

The photograph possesses a dreamlike quality, enhanced by the visible film borders, soft colours, and subtle imperfections associated with analogue photography. The scene appears suspended between documentation and imagination, inviting contemplation rather than explanation.<\/p>

In the lower section of the poster appear the exhibition details, including the dates from 27 June to 22 September 2026, references to the SEAQUAL Initiative Exhibition, and the curatorial credit to Jo\u00e3o Carlos. Along the bottom edge are the logos of the supporting institutions and partners.<\/p>

The overall composition evokes themes of nature, presence, transformation, and the complex relationship between human beings and the environment.<\/p><\/div>\n\t\t\t\t\t<\/div>

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<\/i><\/span><\/i><\/span>Audiodescri\u00e7\u00e3o PT<\/span><\/i><\/div>

Audiodescri\u00e7\u00e3o \u2013 Cartaz da Exposi\u00e7\u00e3o<\/h2>

A imagem apresenta o cartaz da exposi\u00e7\u00e3o Petrichor<\/em>, de Ant\u00f3nio Pedrosa, integrada no F\/262 \u2013 Festival Internacional de Fotografia e nas comemora\u00e7\u00f5es dos 200 anos da fotografia.<\/p>

O cartaz utiliza um fundo cinzento-claro com uma composi\u00e7\u00e3o gr\u00e1fica limpa e tipografia preta de grande impacto visual. Na parte superior surgem os log\u00f3tipos do festival e das comemora\u00e7\u00f5es do bicenten\u00e1rio da fotografia.<\/p>

Ao longo da margem esquerda, o t\u00edtulo da exposi\u00e7\u00e3o, Petrichor<\/em>, surge disposto verticalmente em letras negras de grande dimens\u00e3o. Ao lado encontra-se igualmente o nome do fot\u00f3grafo, Ant\u00f3nio Pedrosa, tamb\u00e9m apresentado na vertical.<\/p>

Ao centro do cartaz encontra-se uma fotografia a cores enquadrada pelas margens vis\u00edveis de um negativo fotogr\u00e1fico. A imagem mostra uma figura solit\u00e1ria inserida numa paisagem natural. A pessoa \u00e9 vista de costas e veste um fato branco de prote\u00e7\u00e3o com capuz. Os bra\u00e7os encontram-se ligeiramente abertos para os lados, num gesto que sugere observa\u00e7\u00e3o, presen\u00e7a ou encontro.<\/p>

A figura est\u00e1 voltada para uma massa densa de vegeta\u00e7\u00e3o iluminada por luz quente de outono. \u00c1rvores e arbustos cobertos por folhas douradas e amarelas ocupam grande parte da composi\u00e7\u00e3o. Em primeiro plano observam-se ervas secas que cobrem o solo. O contraste entre o branco luminoso do vestu\u00e1rio e os tons quentes da vegeta\u00e7\u00e3o atrai imediatamente o olhar.<\/p>

A fotografia possui uma atmosfera on\u00edrica e contemplativa, refor\u00e7ada pela presen\u00e7a das margens do negativo, pelas cores suaves e pelas pequenas imperfei\u00e7\u00f5es caracter\u00edsticas da fotografia anal\u00f3gica. A imagem parece situar-se entre o registo documental e a imagina\u00e7\u00e3o, convidando \u00e0 reflex\u00e3o.<\/p>

Na parte inferior do cartaz encontram-se as informa\u00e7\u00f5es da exposi\u00e7\u00e3o, incluindo as datas de apresenta\u00e7\u00e3o, de 27 de junho a 22 de setembro de 2026, a refer\u00eancia \u00e0 SEAQUAL Initiative Exhibition e a indica\u00e7\u00e3o da curadoria de Jo\u00e3o Carlos. Ao longo da margem inferior surgem os log\u00f3tipos das entidades parceiras e apoiantes.<\/p>

A composi\u00e7\u00e3o transmite uma sensa\u00e7\u00e3o de mist\u00e9rio, transforma\u00e7\u00e3o e proximidade com o mundo natural, evocando a rela\u00e7\u00e3o delicada entre o ser humano e o ambiente que o rodeia.<\/p><\/div><\/div><\/div><\/div>

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Produzido por F\/262 & Associa\u00e7\u00e3o F\/SOS<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"classifica\u00e7\u00e3o\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Com o apoio de:<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Maio \u2013 setembro de 2026
\nCaldas da Rainha Portugal<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sobre o F\/262\n<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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O F\/262 \u00e9 um festival internacional de fotografia enraizado nas Caldas da Rainha, Portugal.
Atrav\u00e9s de exposi\u00e7\u00f5es, palestras, educa\u00e7\u00e3o e instala\u00e7\u00f5es p\u00fablicas, o festival envolve a fotografia contempor\u00e2nea com o local, a comunidade e o mundo que partilhamos.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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